October is a symphony of permanence and change.
If what I say resonates with you, it is merely because we are both branches on the same tree.
It’s been a while since I tried “intentional camera movement,” or ICM as it’s known. (You can see a previous experiment here plus find out about the technique.)
But since we’re coming to the end of the abstract photography course I’ve been taking, I thought I would give it another go. It’s a technique that takes a great deal of patience since the ratio of failures to successes is quite high. But it’s definitely worth the effort.
Even though I’m a big fan of non-recognizable abstracts when it comes to water reflections for example, I tend to prefer a slightly recognizable subject when using ICM.
You have to use a slow shutter speed so it’s important to control the light that comes into the camera otherwise the overall effect will be far too washed out. I tried several different combinations before I was happy.
For this image, I used a very low ISO and a small aperture combined with a quarter second exposure. I thought about using a neutral density filter but found that I didn’t really need to. I was pleased that the trees were still outlined and the colours were deep and rich in the example above.
Tell me, do you enjoy making ICM images, and if so, do you have any tips to share?